RMeS Workshop: Spatializing media / Mediatizing geography

Workshop organized by Dr Leonieke Bolderman (RUG), within the context of the RMeS PhD Workshop Grant

When? 3 March 2020
Where? University of Groningen Zernike Campus, Groningen
Time? 13:00 – 17:00
Coordinator? Dr Leonieke Bolderman (RUG)
Open to? PhD’s and research master students, max 20 participants
Registration | NETHUR PhD Candidates can register by sending an email to rmes-fgw@uva.nl, don’t forget to mention your university.

Reality is – now more than ever – governed by media stories, technology and images. This prompts the question what role media play in worldbuilding and senses of belonging:  how do media interplay with the socio-cultural production of spaces and places? This is the central question that connects and transcends the communicative turn in geography (Adams, 2011) and the spatial turn in media studies (Falkheimer & Jansson, 2006). The fundamental role of media in organizing and giving meaning to processes and activities in space moves beyond technologies of locative media such as geotagging, mapping and GIS; how do people actually use media within the context of everyday life and everyday world building?

The convergence between the fields of media studies and geography is critically explored during this workshop by engaging with recent research that explores the complex dialectics of space, mobility and media in phenomena as diverse as urban exploring (Jansson, 2018), film and tv tourism (Reijnders, 2011), and music tourism (Bolderman, 2020). André Jansson, professor of media and communication studies at Karlstad University and director of the Geomedia Research Group, will present his most recent work, and will enter a roundtable with media ethnographer professor Stijn Reijnders of Erasmus University Rotterdam, who specializes in media tourism, and Dr. Leonieke Bolderman, assistant professor cultural geography and tourism geography and planning at University of Groningen. Moreover, the workshop is a dual workshop of RMeS, the Research School for Media Studies, and NETHUR, the Netherlands Graduate School of Urban and Regional Research, with the aim of bringing together the future researchers of both fields. The workshop is followed by the book launch of Contemporary music tourism: a theory of musical topophilia, a monograph based on the RMeS PhD-thesis Dr. Bolderman defended in March 2018.


André Jansson is director of the Geomedia Research Group at Karlstad University, Sweden. His research is oriented towards questions of media use, identity and power from an interdisciplinary perspective. His work links various theoretical strands from social phenomenology, human geography and sociology of culture. A particular interest regards the relationship between mediatization processes and the production of social space. Jansson has studied this relationship in relation to a number of contemporary phenomena, such as the post-industrial city, tourism, expatriate lifestyles, surveillance culture and the urban-rural divide. Jansson currently leads the research project Measuring Mediatization, funded by the Ander Foundation (2016-2019).

Stijn Reijnders is Professor of Cultural Heritage at the Erasmus University Rotterdam. His research focuses on the intersection of media, culture and tourism. Currently he leads two large, international research projects, funded by the Dutch Science Foundation and the European Research Council, in which he aims to explore the cultural dimensions of media tourism. He has published several research papers and two monographs entitled Holland op de Helling (2006) – recipient of the national NeSCoR dissertation award – and Places of the Imagination. Media, Tourism, Culture (2011). In addition, Reijnders has co-edited The Ashgate Research Companion to Fan Cultures (2014), Film Tourism in Asia (2017) and Locating Imagination in Popular Culture: Belonging, Media, Tourism (in press).


Leonieke Bolderman is Assistant Professor Cultural Geography and Tourism Geography and Planning in the Faculty of Spatial Sciences at University of Groningen. Her research interests revolve around the role of music in processes of urban and regional development, with a special focus on music tourism. Her monograph Contemporary Music Tourism: A Theory of Musical Topophilia will be published by Routledge in March 2020, as well as the co-edited volume Locating Imagination in Popular Culture: Belonging, Media, Tourism (in press).


13:00 – 14:00  masterclass Prof. Dr André Jansson

14:00 – 15:00  round table and debate: Media Studies and Geography – converging fields?

Participants: Prof. Dr André Jansson, Prof. Dr Stijn Reijnders, Dr Leonieke Bolderman

15:00 – 15:30  coffee/tea

15:30 – 16:00  book launch Contemporary music tourism: A theory of musical topophilia

16:00 – 17:00  drinks


  • Adams, P.C. (2011). A taxonomy for communication geography. Progress in Human Geography 35(1): 37-57.
  • Bolderman, S.L. (2020). Contemporary Music Tourism: A Theory of Musical Topophilia. London: Routledge.
  • Falkheimer, J., Jansson, A. (2006). Introduction. In Falkheimer, J., Jansson, A. (eds). Geographies of Communication. Goteborg: Nordicom.
  • Jansson, A. (2018). Rethinking post-tourism in the age of social media. Annals of Tourism Research 69: 101-110.
  • Reijnders, S.L. (2011). Places of the Imagination. Media, Tourism, Culture. Farnham: Ashgate.
Assignment for RMeS and NETHUR participants:

The goal of the workshop is to critically reflect on the convergence of two research fields, and to distil what is useful for the research practice of the participants. To this purpose, each RMeS participant will be coupled with a NETHUR participant (depending on enrolment), with the assignment to develop an interdisciplinary research proposal based on their respective research projects. In this proposal the benefits and possible constraints to interdisciplinary cooperation need to be analysed in relation to the specific research idea, as well as possible methodological innovations.

Deadline: April 30, 2020

  • Adams, P.C. (2011). A taxonomy for communication geography. Progress in Human Geography 35(1): 37-57.
  • Falkheimer, J., Jansson, A. (2006). Introduction. In Falkheimer, J., Jansson, A. (eds). Geographies of Communication. Goteborg: Nordicom.
  • Fast, K., Jansson, A., Lindell, J., Bengtsson, R.,Tesfahuney, M. (2018).  Introduction. In Fast, K., Jansson, A., Lindell, J., Bengtsson, R.,Tesfahuney, M (eds.) Geomedia Studies: Spaces and Mobilities in Mediatized Worlds. London: Routledge.



RMeS Seminar and Workshop: The Revolution of our Times (in cooperation with Sonic Acts Academy)

—*The streets in Hong Kong, October ’19. By Rick Dolphijn—

The Revolution of our Times
Political Action, Art, and the State of the Earth Today

With TJ Demos and other guests
Coordinated by Rick Dolphijn (Utrecht University) in cooperation with Sonic Acts Academy

When? 14, 20, 21, 22 & 23 February
Where? Utrecht & Amsterdam, see below
For? PhD Candidates and RMa Students

THE SEMINAR IS FULLY BOOKED, please send an e-mail to rmes-fgw@uva.nl with your name, university and research school. We will put you on our waiting list.

All the [2019] protests refer to each other
Mathilde Larrére

The year 2019 will be remembered for the many leaderless protests that erupted all over the world. In Hong Kong (most prominently), in Barcelona, in France, all over South America, in India, we saw a younger generation of citizens (university students and increasingly high-school students) taking it to the streets, to protest fearlessly against the political establishment and to autocratic rule. However, in line with climate strikes and demonstrations, this younger generation seems to call for a change quite fundamental; for the end of petrocapitalism and the end of the state as we know it. Occupying the city, its streets, its lives, their art incorporates the resistance and proposes the world to come.

In this RMeS seminar we will read several classical texts on civil disobedience (Thoreau), on eco-revolution (Marx) and on how these thoughts matter in our time (in respect to nature (Serres) to governance (Deleuze) and science (Stengers)). Additionally, We link this to the ideas of TJ Demos ad to the current developments in Hong Kong and elsewhere.

This seminar/workshop is open to ten graduate students and counts for 2 EC (attendance and a final (joint)paper). Apart from the two seminars and the workshop the ones enrolled are also invited to attend the roundtable discussion on these matters at the Sonic Acts Academy


Friday February 14 2020, Reading Seminar
University of Utrecht 11-14 (you can bring your lunch)
Kromme Nieuwegracht 80 (Ravensteynzaal) room 1.06

  • Henry David Thoreau (1849) Resistance to Civil Government, or Civil Disobedience
  • Henry David Thoreau (1845) Where I lived, and what I lived for (excerpt from Walden)
  • Karl Marx (1858) Grundrisse Notebook v: The Chapter on Capital (continuation)

Thursday February 20 2020, Reading Seminar
University of Utrecht 11-14 (you can bring your lunch)
Drift 23 – room 113

  • Michel Serres (1990) Natural Contract in the Natural Contract p.27-50
  • Gilles Deleuze (1990) Postscript on Control Societies
  • Isbelle Stengers (2015) The Intrusion of Gaia, Capitalism, Not Paying Attention

Friday February 21 2020, Workshop with TJ Demos and other guests
University of Amsterdam 11-14 (you can bring your lunch)
Room: UB – Potgieterzaal, Singel 425

  • TJ Demos (2019) Climate Control, From Emergency to Emergence
  • Read through the online library of the Hong Kong Free Press.

February 22 and 23 SONIC ACTS ACADEMY in Amsterdam with ROUNDTABLE (more to follow).
See: https://2020.sonicacts.com/?gclid=CjwKCAiAmNbwBRBOEiwAqcwwpdDspuZ3u7ROBNqp66Q4moSM3FGoHEprlvHB9VrOHZmtUjeUBSey6BoCMQ4QAvD_BwE


RMeS Workshop: Renegade audiences? Understanding and exploring the practices of toxic fans, vigilantes, trolls, and provocateurs

Workshop organized by Dr Simone Driessen (EUR), within the context of the RMeS PhD Workshop Grant

When? 3 June 2020
Where? Erasmus University Rotterdam, Polak 1-20
Time? 11.30 – 17.30
Coordinator? Dr Simone Driessen (EUR)
Open to? PhD’s and research master students, max 20 participants

When the all-female reboot of eighties cult-classic Ghostbusters was released in 2016 the film was met with critique from a small group of dissatisfied fans. What followed were misogynistic comments from these (former?) fans in response to an all-female cast. A small group of trolls harassed one of the involved actresses, Leslie Jones, to such an extent that she decided to close her Twitter-account. Although it is well accepted in today’s world that consumers (audiences) can participate by leaving reviews, comments, critiques or appraisals, not much attention has been paid, in media studies, to feelings of dislike or displeasure and the audiences who are affected by these.

This workshop aims explores what happens if audiences’ affective investments are challenged. If we, in media studies, consider audiences as participatory communities, comparable to micro communities, this allows for a point of departure to discuss the more challenging or ‘anti-fannish’ behaviour of audiences. What if nostalgic feelings for a pop culture text turn sour (e.g. Ghostbusters), or calling out of a particular person has severe consequences like doxing (e.g. GamerGate)? Examining such reactions and practices offers a fundamental framework for understanding polarization in today’s society.

In this interdisciplinary workshop, students are invited to discuss and scrutinize “renegade audiences”. In her introduction, Dr. Simone Driessen (workshop organizer) will explore this concept through the lenses of Fan- and Surveillance Studies. Additionally, “renegade audiences” are further explored with two established scholars in these fields: professor Matt Hills (Fan Studies), and associate professor Daniel Trottier (Surveillance Studies).

In his session, Prof. dr. Matt Hills addresses how changing doxas might play a role in the toxic responses and behavior of fans. He will discuss this idea by looking at cases in various fandoms, where fans have responded defensively in relation to shifts towards inclusivity and diversity in a cultural text. Think about toxic responses to the recent appointment of a female doctor in long-running BBC-series Dr Who, or reactions to the inclusion of a female lead in the Star Wars sequels. This helps to further discuss with participants the notion of “renegade audiences”.

Additionally, Dr. Daniel Trottier invites participants to consider the ethical dimensions of contemporary audience research, including implications for those carrying out research on these practices. In this session, the participants will work on conceptual and societal concerns regarding researching renegade audiences, and how to tackle the practical/ applied issues this brings in terms of data collection and publishing findings.

After the workshop, students who participate for the 1ECTS will apply their knowledge to a particular case. Students get a 1,5h-window to complete a brief investigation on a “renegade audience”, further explicated in a concise group presentation. Doing so, students have a chance to demonstrate their

knowledge of the (preparatory) literature, sessions, and the discussed ethical guidelines.

Preliminary programme of workshop:

11.30 – 12.00 – Welcome & Introduction by Dr. Simone Driessen (organizer)

12.00 – 13.00 – Session 1: Matt Hills (open to ERMeCC researchers)

13.00 – 13.30 – Lunch

13.30 – 14.15 – Session 2: Daniel Trottier

14.15 – 14.30 – Introduction to the Assignment

14.30 – 16.00 – Participating RMeS students (for the 1 ECTS) have this 1,5-hour window to complete the group presentation [see details assignment]

16.00 – 17.00 – Assignment Presentations

17.00 – 17.30 – Closing remarks & discussion

Speaker bios:

Prof. Matt Hills, University of Huddersfield, United Kingdom

In july 2016, professor joined the University of Huddersfield as Professor of Media and Journalism. With Professor Cornel Sandvoss he is co-director of the Centre for Participatory Culture, and supervises a number of PhD students in this area, focusing significantly on media fandom and fan studies. Prior to joining Huddersfield he was Professor of Film and TV Studies at Aberystwyth University. Before that, professor Hills worked for more than a decade at Cardiff University. He has written six sole-authored research monographs, starting with Fan Cultures in 2002 and coming up to date with Doctor Who: The Unfolding Event in 2015, as well as publishing more than a hundred book chapters and journal articles in the areas of media fandom, cult film/TV, and audiences in the digital era.

Dr. Daniel Trottier, Erasmus University Rotterdam, the Netherlands

Dr. Trottier is an Associate Professor at the Department of Media and Communication of Erasmus University Rotterdam. His current research considers the use of digital media for the purposes of scrutiny, denunciation and shaming. Daniel is the PI of a five-year NWO-funded project on this topic, entitled “Digital Vigilantism: Mapping the terrain and assessing societal impacts”. Prior to joining Erasmus University, Dr. Trottier was a Postdoctoral Fellow at the University of Westminster, Uppsala University Sweden, and the University of Alberta, Canada. He completed a PhD in Sociology at Queen’s University in Kingston, Canada. Dr. Trottier has authored several articles in peer-reviewed journals on this and other topics, as well as books like Social Media as Surveillance with Ashgate in 2012, Identity Problems in the Facebook Era with Routledge in 2013, and Social Media, Politics and the State (co-edited with Christian Fuchs) with Routledge in 2014.

Dr. Simone Driessen, Erasmus University Rotterdam, the Netherlands

Dr. Driessen is a lecturer and researcher in the Media and Communication Department of Erasmus University Rotterdam. In 2017, she obtained her PhD, on the affordances of mainstream popular music in the everyday life of ageing audiences, from the Erasmus Research Centre for Media, Communication and Culture (ERMeCC). Her PhD was nominated for the Boekman Foundation Thesis Prize in 2018, and one of her papers won the ‘Top Paper of the Popular Culture Division’ in 2018, at the highly competitive International Communication Association conference. Dr. Driessen (co-)authored several articles which appeared in peer-reviewed journals, a.o. in Popular Music & Society, Participations and Journal of Fandom Studies, and contributed to various edited collections on the topic(s) of popular music and (ageing) fandom, popular culture and vigilant audiences.

Assignment for participants


This assignment helps to better understand the phenomenon of “renegade audiences” and their reactions and practices, by researching a particular controversy such an audience was involved in:

1) First, after reading the preparatory readings for the workshop, we ask you to individually work on a definition of how you understand the concept of “renegade audiences”. Send this in prior to the workshop and bring this definition to the workshop.

2) On the day of the workshop, you’ll work in a group with max. 3 peers on the following:

  1. A) As a group, select an event or happening to which a “renegade audience” responded (from a toxic, vigilant, provoking etc. perspective).
  1. B) Conduct a short investigation to uncover what happened and how the audiences responded. For example, gather about +/- 5-8 (news) articles or +/- 15-20 comments discussing this event/ happening.
  1. C) Discuss your findings of the audiences’ practices with help of the assigned readings in a 5- minute presentation to convey your findings to the group. Each presentation is followed by a few minutes of Q&A that will touch upon your ethical handling of the material.

Your presentations will be evaluated on the following aspects:

1) Your understanding (definition) of renegade audiences (2 points);

2) The incorporation of the assigned readings and workshop content (5 points);

3) The aptness (creativity, originality) of the selected case study (1 point);

4) The coherence of your presentation style (2 points).


  • Driessen, S. (forthcoming). The fandom strikes back: vigilantism in online pop culture fandoms. In D. Trottier (ed), Vigilant Audiences: Justice Seeking through Global Digital Media. Cambridge, UK: Open Book Publishers.
  • Hills, M. (2018). An extended Foreword: From fan doxa to toxic fan practices? Participations; Journal of audience and reception studies, 15(1), 105-126.
  • Trottier, D. (2017). Digital Vigilantism as Weaponisation of Visibility. Philosophy and Technology, 30(1), 55–72. doi:10.1007/s13347-016-0216-4


  • The definition of what participants consider as “renegade audiences” should be sent in latest 3 days prior to the workshop;
  • The presentations (graded assignment for the 1 ECTS) are held on the day of the workshop.

RMeS RMa Course: Trending Topics – Engaging Objects

When? 14, 21 & 28 February, 6 March 13.00 – 17.00 / presentation day: 20 March 2020 12.00 – 18.00 / deadline paper: Mid April
Where? University of Amsterdam, See below
Coordinator? Dr Maryn Wilkinson (UvA)
Guest lectures by? Bharath Ganesh (RUG / Oxford), Leonie Schmidt (UvA), Alex Gekker (UvA), Rik Smit (RUG), Christian Olesen (UU), Sebastian Scholz (VU), Scott Eldridge II (RUG), Tim Groot Kormelink (VU)
Organisation? RMeS
For? First and second year RMa students in Media Studies, who are a member of a Dutch Graduate Research School (onderzoekschool). Students who are members of RMeS will have first access. RMeS staff and PhD researchers are welcome to sit in on specific sessions; please send an e-mail to RMeS if you intend to attend one or more seminar sessions: rmes-fgw@uva.nl.

THE COURSE IS FULLY BOOKEDplease send an e-mail to rmes-fgw@uva.nl with your name, university and research school. We will put you on our waiting list.

General description:

Each spring, the Research School for Media Studies offers a Trending Topics course where faculty members from eight participating universities (UvA, UU, VU, EUR, UL, UM, RUG, RUN) present the latest research in their fields of interest through a series of lectures and workshops. The course invites RMA students to participate in an international, cutting edge research environment, while earning credits towards their degree. It presents a unique opportunity to get to know other students and leading academics from all over The Netherlands, in an open setting of engaging and ambitious exchange that would prove particularly fruitful for students who are aspiring to pursue a future career in academic research or teaching. All eight universities accept the credits earned in this module.

The field of media studies today is decreasingly tied to specific media types (film, television, or digital media) or practices (e.g. journalism), and instead often turns towards the areas of interaction between them, and their shared concepts and ideas. Larger trends such as globalisation, digitisation and convergence have prompted researchers to study the complex interrelation of technological changes and media content, as well as the new relations between users and producers, while different modes of media consumption have brought about new areas for aesthetics and politics that continue to require intense critical enquiry. These crossovers are both theoretically and methodologically challenging. Moreover, it requires us to rethink our engagement with specific media objects, and our critical analysis skills. Close reading remains incredibly important, but it can no longer stay isolated. In order to improve and enrich our understanding of the media objects we engage in our research, it is important to understand where different perspectives add to, overlap, or digress from one another.

In the ‘Trending Topics – Engaging Objects’ course, the lecture sessions will each take a specific media objects as a primary case study (from the field of film, television, digital media, and journalism studies), and bring two guest lecturers and their respective areas of expertise into dialogue about their objects. Each afternoon will be dedicated to the analysis, research and discussion of specific media objects. A fifth session revolves around student presentations in preparation of their final written assignment. All sessions, assignments, readings and preparatory work will be supervised and marked by dr. Maryn Wilkinson (UvA), the coordinator of the course. The grading will be based on both the presentation (30%) and the final written assignment (70%).



13.00-17.00 on Friday, February 14th, 2020: 

– Bharath Ganesh (RUG / Oxford)
– Leonie Schmidt (UvA)

13.00-17.00 on Friday, February 21st, 2020: 

– Alex Gekker (UvA)
– Rik Smit (RUG)

13.00-17.00 on Friday, February 28th, 2020: 

– Christian Olesen (UU)
– Sebastian Scholz (VU)

13.00-17.00 on Friday, March 6th, 2020: 

– Scott Eldridge II (RUG)
– Tim Groot Kormelink (VU)

Recipients of the RMeS PhD Workshop Grant: Dr Leonieke Bolderman and Simone Driessen

Recipients of the RMeS PhD Workshop Grant: Dr Leonieke Bolderman and Simone Driessen