Images of Dutchness
Popular Visual Culture, Early Cinema and the Emergence of a National Cliché, 1800-1914
Why do early films present the Netherlands as a country full of canals and windmills, where people wear traditional costumes and wooden shoes, while industries and modern urban life are all but absent? Images of Dutchness investigates the roots of this visual repertoire from diverse sources, ranging from magazines to tourist brochures, from anthropological treatises to advertising trade cards, stereoscopic photographs, picture postcards, magic lantern slide sets and films of early cinema. Through the combined analysis of words and images, the author identifies not only what has been considered “typically Dutch” in the long nineteenth century, but also provides new insights into the logic and emergence of national clichés in the Western world.
Sarah Dellmann worked as researcher and lecturer at Utrecht University, University of Groningen and Amsterdam University College, the Netherlands.
This publication is part of Framing Film, a book series dedicated to theoretical and analytical studies in restoration, collection, archival, and exhibition practices in line with the existing archive of the Eye Filmmuseum.